nothing is "personifying" the people; and if it does not produce shocking experience ... because real people are depicted befitting allegories of the Convention, are deprived of individual traits" (There same.P. 126).
Symbolic parameters are for him Central not only in the analysis of the middle ages, but also in the analysis of Renaissance. The art of the Renaissance he sees as symbolic, because "it was a means of outward expression creative individuality of the artist, his own vision of the world. The stylistic differences here was, therefore, expression differences spiritual trends, not social conditions, because the latter, in General, was equally
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nothing is "personifying" the people; and if it does not produce
shocking experience ... because real people are depicted
befitting allegories of the Convention, are deprived of individual traits" (There
same.P. 126).
Symbolic parameters are for him Central not only in
the analysis of the middle ages, but also in the analysis of Renaissance. The art of the Renaissance he
sees as symbolic, because "it was a means of outward expression
creative individuality of the artist, his own vision of the world.
The stylistic differences here was, therefore, expression differences
spiritual trends, not social conditions, because the latter, in General, was
equally
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