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"Medieval man sees symbols everywhere. The universe is made forit is not of the elements, energies and laws, but of images. The images representthemselves, but beyond that something else, higher: ultimately --the only truly high-God and eternal things. So each imagebecomes a symbol. He points up beyond himself. Canmore precisely: he is from above, from the region lying on the other sidehim. The symbols are found everywhere: in the cult and in art; folkcustom and public life" (Guardini R. end of the new time //The problems of philosophy. -- 1990. -- No 4. P.134). Subjective "clue" to the interpretation of medievalwas actually translated a huge volume of Henry aken withintroductory article of Professor I. Graves (Aiken G. History and systemthe medieval worldview. SPb., 1907). We give only one quote fromhim: "People, animals and plants could enter the circle depicted objectsnot for their own sake, but only insofar as admitted themsome relevance to the ultimate goal of all things, the Kingdom of God thatlight. Art image was supposed to be nothing more thansensual symbolic expression of the supersensible" (ibid.S. 634-635). The historical approach is especially favorable for the germination of the "semioticbean" also for the following reason: here, the researcher's happeningclash of fundamentally divergent sign systems -- his ownand in this case medieval. P. Bitsilli writes about this other world:"the slow flow of life in the middle ages and the coincidence of subjective andintersubjective spheres makes a person insensitive to the perceptionrhythm of life, made him feel the world is still beforehe expressed the idea of this stillness in concepts. If it is to usprocess, for medieval man the world -- the finished result"(P. bitsilli, decree. Op. P. 138). "Narozeniny" nature of the worldP. Bitsilli sees the painting and sculpture of the middle ages: "Raised inthe jump the horse's legs seem never to descend; the angel flying down from heaven inthe cell of the blessed virgin, as if rooted to the floor; locked in a desperatebattle warriors froze in their postures; hand ZANESSA sword, not to defeat the enemy.How far is art from the Renaissance!" (Ibid. P. 139).
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