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Before we move on to anotherclass of facts, it should be noted that the development of homogeneous to heterogeneousis evident not only in the Department of painting and sculpture from architecture inthe separation from one another and in a greater variety of items, hugseach of these sectors, but is further in the structure of each individualworks. The latest picture or a statue is by nature muchnebulous ancient. Egyptian sculptural mural represents all the shapesas if on a single plan, i.e. at the same distance from the eye, and thereforeless heterogeneous than a painting of them as itdistances from the eye. It represents all the objects lit the samethe degree of light and thus less heterogeneous than a painting,representing various objects and different parts of these itemslit different degrees of light. She hardly uses any otherpaint, in addition to basic, and uses them in full force and effect, and is therefore lessheterogeneous than a painting which, introducing the main dye in a very smallsize, uses an endless variety of intermediate colors thatall differ among themselves not only in composition and properties, but also in strength.Moreover, we see in these earliest works a great uniformityconcept. They continually reproduce the same distribution of shapes, the sameactions, positions, persons, costumes. In Egypt, the ways the images were soaccurately identified that the introduction of something new was considered a sacrilege.Assyrian bas-reliefs represent the same properties of gods, kings,servants, winged figures and animals, all individually presented insame positions, holding the same guns, occupied the samething and with the same expression or with the same absence of expression.If you are a palm grove, all the trees of identical height, allhave the same number of leaves and all are on the same distance from oneother.
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