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In the picture of the water each wave has a corresponding one for myselfwave; and fish, almost always of the same species, evenly distributedon the surface of the water. Beards of kings, gods, and winged figures are the same everywhere,like the manes of lions and horses. Hair everywhere depicted in the same formcurls. Beard king built a whole architectural complex of the seriesmonotonous waves, interspersed with a number of curls, held to the crossline, and all this is distributed with complete accuracy, the tufts of hair at the endsbichachi tails are depicted everywhere just exactly the same. We don't watchfurther, for identical facts of the first era of Christian art, wherethey are also visible, although to the weakest extent, the move to diversity will bequite obvious, if we remember that in the paintings of our timethe concept varied to infinity; situation, person, expression - alldiverse secondary subjects differ in magnitude,shape, position and structure, even in the smallest details there is a large orthe smaller difference. If we compare an Egyptian statue, seated bolt uprighton the stump, put his hands on his knees, with arms extended and parallel fingers, eyes, staring straight ahead, a statue, both sides of which absolutelysymmetrical in every particular, - with the statue of the later Greek orthe latest school, is not symmetric with respect to the position of the head, body, members,location, hair, clothing, accessories and relation to those around heritems we will find the transition from homogeneous to heterogeneous pronouncedvery clear.
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