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In additionalso, not all of that open look, lends itself touse: in particular, colors can barely be basefor useful comparisons. The field of view in which the observation canto show its capabilities, is only a remnant of theseexception: it is visual perception, freed from all otherbringing the senses and, in addition, is decorated in greycolours. This field to a much greater extent than the perceptions themselvesthings finally became sensitive, determines the possibilitynatural history and the emergence of her abstracted objects:lines, surfaces, shapes, volumes. Maybe say that the use of the microscope compensates forthese limitations and that if a sensory experience has been limited torespect to its most questionable sides, he rushed tonew monitoring objects controlled technicalmeans. Indeed, the same set of negativeconditions limit the scope of the experience and made it possible to useoptical instruments. In order to be able betterto observe through a magnifying glass, you need to abandonunderstanding through the other senses or through rumors.The change of approach at the level of observation must be more substantialwhat is the correlation between the different evidences that canto deliver experience, reading, or lectures. If infiniteencompassing visible in its own length betteramenable to observation through a microscope, they would notrefuse. And the best proof of this are,undoubtedly, the fact that optical instruments are particularly successfulwas used to solve the problems of the origin, that is, foropen how form, structure, the characteristic proportionsadults of individuals and the species as a whole can be transmitted throughcentury, maintaining their strict identity. The microscope wasare not meant to overcome limitsfundamental spheres of the visible, but to solve one of the problemshe put -- save for generations visibleforms. The use of the microscope was based on non-instrumentalrelation between eyes and things, the attitude that definesnatural history.
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