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finally, the intention to causeother appropriate cry or gesture performance (howeverwith the peculiarity that, emitting a scream I don't cause or wantcause a feeling of hunger, but just a representation of the relationshipbetween this sign and my own desire to eat). Languageis possible only on the basis of such a weave. It is basednot on natural motion understanding and expression, butreversible and available for the analysis of the relations of signs andviews. Language is not when the view is justis expressed on the outside, but it is there when it in advanceestablished way separates himself from the sign and startsimagine yourself through it. Thus, the person is notin as the speaker of the subject and not from the inside of ready-made languageopens the signs around you, as if the silent words,which it is necessary to decipher and make audible again; it isis because the idea gives myself the signswhich words can create, and with them the whole language,which is only further organization of sound marks.Contrary to the title, "language of action" raises a fatalthe network of signs that separates language from action. And thus it justifies the nature of histhe artificiality. The fact that the elements that make thisthe language of action is composed (sounds, gestures, grimaces) are offeredconsistently with nature, and yet they are in the majoritycases have no identity of content thatthey represent, but have the benefit of relationshipthe simultaneity or sequence. The screaming is similar tofear and outstretched hand -- the sensation of hunger. Beingagreed, these signs will remain deprived of "fantasy andCaprice"
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