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In conclusion, I would like to note a phenomenon that emerged in thethe last century, which could be described as imperialistthe invasion of art in the domain of morality, in other words, in the humanlife. I have already talked about the distinction must be made betweenthe creative I and the Ego, having its center in itself, as well as awarenessitself leads to danger for the artist to slip from one level to another. Russo 19 and romance was the forerunner of this event. Butonly the school of "Art for Art" brought it to full expression. Inforce strange dialectic principle according to which only artthe value of significant, made this value (and related poeticthe creative and poetic act) not to dwell behind the walls of the tower of the elephantbones "Art for Art", but instead to distribute power inall human life and to usurp the function of enveloping fateof mankind. In the romantic era of Byron, Goethe, Hugo acted asheroes "is greater - in the words of M. Blackmoor than any herotheir creations".
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