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The second variable of the sign: the form of his connection with what hemeans. Through the action of pregnancty, rivalry andespecially liking the similarity in the sixteenth century conquered the spaceand time, as the role of the sign consisted in the connection and bindingthings. On the contrary, classicism is characterized by its signsushestvenno variance. The cyclical world of convergent characterssubstituted endless deployment. In this space signcan take two positions: either he as partis part of explanation of what it is or itreally and truly separated from it. In truth, thisthe alternative is not radical, as a sign toto function, and have simultaneously implemented in the signified,and different from him. Indeed, in order for the sign wasmark, it is necessary that it was given to consciousness, however, that hemeans. As Condillac observes, the sound would neverchild verbal sign things if he would, at leastagain, was not heard at the moment of perception of this thing<$FCondillac. Essai sur l'origine des connaissances humaines(Euvres, Paris, 1798, t. I, p. 188--208).>.Ho tothe element of perception could become familiar enough towas part of it; you have to select it aselement and delivered from the General impression with which heimplicitly linked; therefore, you need to make this impressionwas dismembered to the attention focused on one of theinterwoven with other moment to this point is included inpart of the common experience, were isolated from it. Thisby the way, it turns out that positing the sign is inseparable fromanalysis that the sign is the result of the analysis, without whichhe could not appear. The sign also appears and the toolanalysis, since once defined and isolated itcan be correlated with new experiences, playing onto them the role of the analytical grid.
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