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M. Lionel de Fonseca, in his book "About the truth of decorative art.
The dialogue between man West and man East" *** stated that the vulgarity
always says "I". This makes sense; but vulgarity is able to speak and "we"
it is essentially the same thing, for "I" vulgarity just neutral
the subject of certain predicates or phenomena, a topic characterized by
opacity and gluttony, as the "I" of the egoist.
But a very different kind of poetry equally, always says "me."
Listen to David the Psalmist: "my Heart threw up the good word", "Quicken me,
and I will keep Thy words" 16 . The "I" of poetry is substantial
depth of living and loving subjectivity, the subject as an act characterized by
transparency and openness inherent in the actions of the spirit. From this point of view
the "I" of poetry similar to a Saint, and as the last, although in a different kind of
the person who gives rather than takes. The arts of China and India, and medieval
art, could indefinitely hide behind the ritual or modest
duty to decorate life - it is as personal as art
individualistic West. More or less strict canonicity of art
there is a condition of the second order; it could be favorable
the condition for hiding the art from him. But awareness of yourself and at the same
time freedom, to which
art is an acquired taste, is a good risk, mobilizing poetry.
In conclusion, we should identify what the need is
corollaries to the previous arguments about the nature of poetic consciousness
constituting the focus of poetic activity: it is consciousness in essence
uninterested. It introduces human self in its deepest bowels, but
not out of love to him as the Ego. Self-introduction I am an artist in the field of poetry
activity, the discovery of the artistic I in his work,
identical with the revelation of a special mystery, a dark image captured in things
- all for the love of work. I reveals itself, and at the same time
sacrifices himself, for it is given, is extracted beyond himself
that kind of ecstasy 17 , which is called creativity, it
die to yourself to live the work, and with what humility, with
what an infinite picture.
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