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Great madness to believe that the authenticity or purity of creativitydetermined by the act of escaping, the act of rupture with the living forces of spiritualized anddriving human existence, the great madness to believe that this puritycreativity depends on the wall of separation erected between art anddesire or love. The purity of the creativity depends on the strength internaldynamism, generative creativity, i.e. on the strength of the potency of art. No wall of separation does not isolate the potency of art from the internaluniverse of desire and love, living human being. There are, without a doubt, the specific desire and love thatjust is identical with the activity of the artist, consubstantial with this activity. Itthe desire to create a work, love to create works of art. Discussingthe book Henri Brémont about pure poetry, T. S. Eliot writes: "To begin with Iconfused by the assertion that "the poet... the more he is a poet, the more bruisedneed to give your expertise" *. One of ordinarycategorical assertions that are very tempting to accept withoutcheck; but the situation is not so simple. I would prefer to say that the poettormented primarily by the need to write a poem" **. Howeverfair point Elliot should not confuse you: in theaspiration to work and to be creative yelizarovo not direct- that's right - the desire to transfer our experience, but stillthe desire to Express this experience; what then is the result of creativity, if notexpression the creative? The substance of the man is unknown to himself. Whenthings covers emotion for a poet Wake up together and stuff, and Ia special kind of knowledge - a dark, essentially nevyhovuje,which can only be expressed in the work; and this is poetryknowledge. Hence the obvious role of subjectivity, the role of I in the knowledge and workingpoet.
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