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The discourse-that is language in its ability to Expressrepresentation of language names, divides, combines,binds and unbinds things, allowing you to see them in transparencywords. In fulfilling this role, language transforms a number of perceptions inpicture and, on the contrary, divides the continuity of living beings onthe individual signs. Where the discourse is there, and there apolagiseare performance, joined there and dismember things.High vocation of classical language has always beento build a "picture", whether it is natural-scientific, covingtruths, the description of things, the collection of accurate knowledge orencyclopedic dictionary. Language must be transparent; itlost its hidden density, which in the sixteenth century concentrated it inrequiring the solution of it, weaving with the things of this world; he has notpurchased and versatile existence, which wethink nowadays. For a classic century, the discourse is thetranslucent necessity through which andviews and creatures, since these creatures are presentedbefore the spiritual eyes, as long as the performance makes visiblethe truth of beings. The very possibility of knowledge of things and theirorder is connected in the classic experience with the mighty power of the words:the words here really are not any signs requiringclue (as in the Renaissance), no guns, more or lessreliable and manageable (as in the era of positivism); rather, theyform a colorless grid, which identifies thebeings and organized presentation. This, of course, due to the fact that classical reflection on language,as part of a General organization of knowledge into which it entersthe same rights as the analysis of wealth or natural history,played against them a leadership role.
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