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Next come the purely semiotic views, similar ideasG. Shpet: the scene at the scene looks false, because it is taken from the pointof view of the actors, not the audience. Things of the physical world -- toogood, and disrupt the space. And only the space of painting is not connected withthe physical properties of space. Frame allows to select symbolicspace in the physical space. Things Florensky interprets as"folds" or "wrinkles" space (p. 6). And providing operation withspace the broadest view, he actually defines the whole culture as"the organization of space" (p.55). Making space for its premise, Florensky can nowany concept to be interpreted on the basis of it. Thus, the gesture "formsspace, causing this tension and the bending it" (p. 56). Interestingthus interpreted the artist's work, which the force pumps inspace content, as a result of "forcing a space to give andto accommodate more than it usually holds without this effort" (p.59).
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