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As a semiotician, P. Bitsilli emphasizes that to understand the spiritera is important, what types of art are most successful in theperiod. In the case of the Renaissance in Italy so successful, he believestheatre and proves it on several examples. In principle, the internal mechanismany culture he finds a certain contradiction. It is a struggle betweenthe personal beginning and the beginning of a collective struggle in the plane thatis true, as required. "The culture of the Renaissance wasthe advantage of the culture of the yard "salon", "Academy"; cultureintellectuals alien to the common life, enclosed in a kind of "secularthe monastery", the perfect image of which was "Teletskoe Abbey" Rabelais"(Ibid.P. 94). historical approach 151 Each artist is in conflict with the decision taken at that periodCanon beautiful. "It was believed that this Canon was found by the ancients.Medieval art kept it. If it seemed the people of the Renaissance"wild" and "rough", then the reason for this was his austerity, detachment,the monotony. One of the objectives of art of the Renaissance was followed by the Canonbeautiful so that it does not hurt the realism and vitalityimage (ibid.P.98). "Discovery of man" Renaissance P. Bitsilli sees the value of itscreativity as a body of knowledge of the world. The middle ages saw the worlddifferently. "The world of empirical existence, the existence of private random things, thoughtthe middle ages contrasted the world of pure concepts. Empirical things wereonly elements of these concepts and symbols pointing at themthat is, by themselves, as if nothing. Hence the theory of art developed stillthe first theorists of the Renaissance, according to which art in falsethe images reveals the truth" (ibid.P.109).
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