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But in reality, the way down is done only in orderto restore the shining surface that was hidden andburied. That is, if the interpreter has to move deeper in your"digging up" the movement of interpretation is a kind of exaltation,aiming for the top, it does spread underneath the depth more andmore visible. Depth now appears solely as a mysterysurface, and thus the flight of an eagle, climbing the mountain - all thisthe verticality, which is so important in "Zarathustra" is, strictly speaking,reversion of depth, the discovery that it is nothing like the game orthe fold surface. The deeper world is the look, theobvious it becomes that all of that was considered the depth of the man, there is justa childish game. I ask the question: is it possible - with all the obvious differences - comparethis spatiality [spatialite], this game, which Nietzsche leadsthe notion of depth with the game, which leads Marx to the concept of "plane"[=banality, platitude]. This concept is very important for Marx; in the beginning"Capital" he shows how, unlike Perseus, he must plungein the fog, to show that in fact for him there are no monstersno deep mysteries, and all the depth behind createdthe bourgeoisie the concepts of money, capital, value is only"the plane".
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