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laughs when they met with me and says more thanwe can say, without saying a word" (pereezd. in Karsavin L. P.Smallworks. SPb., 1994. P.109). We are again faced with the question of why in the present historical worksoccurs semiotic perspective. Italian semiotician UmbertoEco (Eco U. A theory of semiotics. Bloomington -- etc., 1976)talked about the semiotic object as the points of communication where possiblethe occurrence lies. Based on this historical review, we canto give a more General definition of semiotics as the science of possible worlds. Thenit becomes clear to her interest to objects such as literature, painting,theater, cinema, etc., that really set the different options otherworlds. "Art, - writes Yuri Lotman, -- the most advancedthe conditional space of reality" (Lotman YUM. Culture and explosion. --M., 1992. P. 62). But also history, because it is not busy monitoring, andreconstruction of one of these possible worlds. The main becomesnot the search for similarities, and just the presence of differences from the worldthis.
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