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for specific people. We now look at fragments of the oncebrilliant Venetian mirrors. Heinrich Rickert posted by: "Life is one, and thinking about life more.You can not both turn into indistinguishable unity" (H. Rickerta philosophy of life. -- PG., 1922. P. 65). The oberiuty refute this. Similarthe statement is only true at standard life. When the oberiutshe modeled a life by yourself, thinking about life and life naturallycloser. Hence the sharply increased level of symbolism of life itself,since it is generated on an equal footing with the text. M. Voloshin objected in this respect against the term symbolictheatre, "because theatre is essentially symbolic and can not be otherwise,at least adhered to the naturalistic trends. Theatrical performancein itself cannot be done anywhere else as in the inner, transformingthe sphere of the soul of the viewer-where have value not things and beings, and theirsigns and names. In the soul of the viewer everything that is happening on stage, naturalthe process of cognition becomes a symbol of life" (Voloshin M.Maeterlinck// Voloshin M. Autobiographical prose. Diaries. - M., 1991. P.125). The oberiuty opened a new form of life, then by entering them in the literature.And this literature is becoming part of life, unavoidable from it, likeperformative utterance marked by JOHN Austin.Giveletter to Kharms to Lipowski (the first part): "Dear Tamara and Leonid Savel'evich, thank You for your wonderful letter. I read it many times and learnedby heart. I can Wake up in the night and I immediately without hesitation begin:"Hello, Daniil Ivanovich, we really have secrecies. Leon boughta new..." etc. etc.
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