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the creative moment. "It is important way of thinking and not the form in which itresults. Therefore it is impossible to write music, imitating the "great experience", iereally dead schemes" (ibid.P.9). Form in understanding Boris Asafiev (Igor Glebov) (1884-1949)hasexplicit social lining. In confirmation of this we give somethe statements in "Musical form as a process", first published in1930 "Form, check by ear, sometimes by several generations, i.e.certainly socio detected (otherwise-how and where it couldkristallizuetsya) organization-logical, temporal distributionthe musical material..." (B. Asafiev Musical form as a process.-- L., 1971. P. 22). Or the following observation: "Classic shapes -- the result of a long social selection of the mostsustainable and effective intonation" (ibid.). Or: "Ageacademism in music -- this era of the dominance of satisfying the mosthumans as possible (but not completely) familiar combinations" (ibid.P. 58). Thus B. Asafiev struggling with the understanding of form as an abstractscheme, for it is the most socially expressive selectedsound combinations. In principle, as for any representative of the formal direction, forB. Asafiev characteristically enough a clear identification of itsinstrumentation, rejection of the multiplicity of interpretations of its understanding anduse this connection as a more developed linguisticterminology. So he argues with the term "musical symbols" asleading to the vagueness, offering instead the term "musicsemantics", clearly emphasizing that the use of the term linguistics(Ibid.P.208). Notable for this book turned out to be another trend settingto "space" and environment of the audience. B. Asafievpostulatesthe certainty of connections between music and architectural spaceEuropean Symphony he sees as the brainchild of a closed space. "Attitudebetween music and "occupy" its space -- is not only pureacoustic phenomenon. Street, square, public garden or the Boulevard --howling is a special kind of special "specificity" forms. Of course, lively villagea ditty you can sing at a concert, but her form is still defineda village street.
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