Saturday, November 23, 2019

Story image for royal wedding from Washington Post (blog)

Royal Wedding for the Peeps

Washington Post (blog)-Mar. 29, 2012
It's that time of year in the Post newsroom, when sugary confections in the form of brightly colored rabbits and chicks absorb our attention. Peeps season has ...
Story image for royal wedding from

Duchess of Cambridge wears same dress as mother 19, 2012
... and a red lace-trimmed dress by Colette Diningham was worn by Carole at a Royal Academy summer preview and then by the Duchess at the wedding of her ...
Story image for royal wedding from Hollywood Reporter

Justin Timberlake, Jessica Biel's Wedding Photos Reveal Pink ...

Hollywood Reporter-Oct. 24, 2012
PHOTOS: Famous Royal Weddings. Biel wasn't the only one donning a custom-made ensemble for the occasion. Justin Timberlake looked dapper in a classic ...

1 comment:

Pearl Necklace said...

Finally, the last, and most important, perhaps, the most
unexpected compensation for the relegation of language to the object-is
the emergence of literature -- literature as such. Of course,
starting with Dante or Homer, even in the Western world existed
form of language that we now call "literature". But the
the word appeared much later, because only a relatively
recently in our literature there was a separation of that
specific language, the true manifestation of which is that
to be "literary." In the early nineteenth century -- in the
the time when the language, as if immersed in the objective column and
allow the knowledge to permeate itself through, -- he at the same time
restored itself in another region and in another
independent shape -- barely available, focusing on
the mystery of his origin, is entirely correlated with the net act
letters. Literature a challenge of his own sister --
Philology: she cites the language from the grammar to the clean speech
ability, and where encounters with wild and imperious being of words.
From the protest of the romantics against the chilling etiquette of discourse and to
the opening of the powerless the power of the words of mallarmé is clearly seen what
was in the nineteenth century the function of literature in relation to modern
the way of being of language. Against this background, the primary ratio
the rest is a consequence of: literature more and more
distinguishes itself from the discourse of thoughts and closes his depth
samozaschity. It is separated from all of those values
could classic age to get it going (taste,
pleasure, naturalness, truth), and creates in his
own space that can provide their gaming
the negation of (indecent, ugly, the impossible);