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"Don Quixote" -- the first of the works of the new time, soas it is seen as a cruel act of identities and differencesendlessly mocking the signs and the likes; as language ofbreaks here with its old kinship with things and enters into thatlonely sovereignty from which it will return to itsrough existence only became literature; as similarity joinshere in an era that is the era of recklessnessand imagination. After the disjointed relationship of similarity and signscan arise two types of practices, to encounter two characters.Madman, understood not as sick but as an established andsupported deviation from the norm, as a necessary manifestation ofculture, became in practice the Western civilization manunusual similarities.This character, in the form in which itdepicted in the novels or in the theater of the Baroque period and in which hegradually institutsionaalse vpilot to the psychiatry of the NINETEENTHcentury, going crazy with analogies. He's a careless playerIdentical and Different. He accepts things for what they are notare confuses people who does not know his friends and learnsstrangers; it seems that he takes off the mask; but heimposes. He turns all values and all proportions, soas every moment it seemed to him that it decrypts anythe signs: in his view, by the clothes they get to know the king. Untilthe end of the XVIII century sumasshedshii from the point of view of culture isDiffering only in the extent to which the Difference is unknown to himhimself; everywhere he sees only the similarities and signs of similarity;all the signs for it are similar to each other and all the similarities are significantas signs.
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