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Herethis objection, I believe, is justified - and I triedto assess the assumptions and implications in the text, which should soonto appear*. There I am trying to set the status of the larger discursive unities -such as those what is called Natural history or Politicalsavings. I asked myself, in accordance with what methods, with whattools you would be able to locate them, to dismember, to analyze them andto describe. Here is the first part of the work undertaken a few years ago and nowfinished. But another question arises: the question of the author - and this is what I wantedwould now to talk to you. This concept of the author constitutes an importantmoment of individualization in history of ideas, knowledge, literature, as well as inthe history of philosophy and science. Even today, when dealing with historyany concept, or literary genre, or any typephilosophy, those of unity, I think, consider asdismemberment is relatively weak, secondary, and superimposed on the primarydurable and fundamental unity, namely, unity of the author andworks. I will leave aside, at least in today's reporthistorical-sociological analysis of the character of the author. How the authorhave indiwidualiziruyutza in a culture like ours, what status he wasa dowry of, say, become engaged in the search for authenticity andattribution, in a system of valorization the author was taken, at which point beganto tell you life has no heroes, but authors how established thisthe fundamental category of criticism, "man and work" - all this,no doubt, would deserve to be analyzed. In the presentthe point I would like to consider only the relation of the text to the author, the waytext which outlines the course to the figure - figure, in relation toit is external and prior, at least in appearance. The wordingtopics that I would like to start, I borrow from Beckett: "What's the differencewho says - someone said - what's the difference who says".
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