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connection problem in one structure three different semiotic languagesexcited N.Evreinov as a Director. "The framework agreement betweenDirector and decorator can take place only when there is awareness of the same inthe art of the other" (Evreinov N. N. Artists in the theaterV. F. Komissarzhevskaya // In Memory Of Vera Fedorovna Komissarzhevskaya. P. 137), --he writes in 1911. This problem is in General not well characterizedDirector, and philosopher V. N. Ivanovo: "For theatrical performancesit is necessary to joint the action of all its memberselements: Express in words (conversation, monologues), actions and facial expressionsparties, music, decorations, depicting the external environment, etc.Each of these elements have anything to contribute yourself -- none ofthey should not be "empty spots", "gaps", contributing nothing to play"(Ivanovsky V. N. Methodological introduction into science and philosophy. --Minsk, 1922. -- T. I. P. 13). Therefore, N. Evreinova manages to dopurely semiotic conclusion: "collaboration should be clearly understoodeach other. It is impossible to speak in different languages when a single is created; inotherwise the construction is awaiting the fate of the tower of Babel" (EvreinovN. N. Pro scena sua. SPb., b/g p.49). And the specialty of the Director N.Evreinov saw professionalsemiotic plan, carrying out the translation from one semiotic languageon the other. How else can we interpret the following submission: "Directed primarily to a detailed interpreter of the author, and the mainby the way, the interpreter from a purely theatrical point of view. Director --translator of book text into a living language of gestures and facial expressions. Director --artist abrasively initial sketch of the scenery before chargingher work to that of painters, which is the most suitable to the characterdramatized plays; the Director belongs and the overall colorful design, andtherefore, and illumination plans. The Director-composer, composethe melody of elocution, its General music, i.e. music ensemble, pace,the nuances, the silences, the necessary stretto, etc., often even resorting to socalled "instrumentation". The Director -- a kind of sculptor of the livingmaterial that builds self worth in the field of plasticart.
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