Wednesday, November 20, 2019

Story image for royal wedding from Cinema Blend

Read Meghan Markle's Letter To Her Father After Royal ...

Cinema Blend-Feb. 11, 2019
The relationship between Meghan Markle and her father Thomas Markle has been fraught with difficulties since before the Royal Wedding commenced in May of ...
Story image for royal wedding from HuffPost

Meghan Markle's Former 'Suits' Husband Issues Cutest Royal ...

HuffPost-May 6, 2019
Meghan Markle's former “Suits” husband, Patrick J. Adams, knew just what to say when he heard the exciting news that Meghan and Prince Harry welcomed a ...
Story image for royal wedding from Fox News

Meghan Markle facing scrutiny, family woes 9 months after ...

Fox News-Feb. 15, 2019
Nine months after her wedding extravaganza and now formally known as the Duchess of Sussex, the 37-year-old is pregnant — and finding that life in the royal ...

1 comment:

Pearl Necklace said...

He wanted
the order of the description, its division into paragraphs, even
typographic signs reproduced the shape of the plant to
the text, in its variables of form, location and number
would have of plant structure. "It is wonderful to follow nature: from
Root to move to the Stems, Cuttings, Leaves, Stalks,
The flowers". It would be good if the description was divided into as many
paragraphs as there are parts of the plant, if large
the font was printed in what concerns the main parts, small
letters-the analysis of "parts". All other information about
the plant would be attached in such manner as draughtsman
complements your sketch chiaroscuro: "the Shading will be exactly
to encompass the entire history of the plant, i.e., his names, his
the structure, its appearance, its nature, its use".
Transferred into the language, the plant is imprinted in him, again
finding under the gaze of the reader their pure form. The book becomes
herbarium structures. And let it not be said that this is only a fantasy
some systematics, which is not natural
the story in all its entirety. The bouffon, a permanent enemy
Linnea, there is the same structure that plays the same role:
"Method of inspection would be based on shape, size, various
parts, their number, their position, the very substance of the thing"<$FB u f f o
n. Maniere de traiter l Historie naturelle (Euvres completes, t.
I, p. 21).>. Buffon and Linnaeus propose the same grid, their
the look is the same contact surface of things; one and the
same black cells kept invisible; the same plane, clear
and distinct, available words.
Due to the structure that gives to the obscure
the form and in the form of simultaneity, is available analysis and
giving thus the opportunity for linear deployment of language.
Indeed, in relation to the object of observation description there is something
same as assumption to represent it
expresses: its sequential placement, item by item.