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the triumphal reign of the Soviet regime. The University of Tartu in thoseyears been an island of intellectual heretics throughout the former Soviet Union,and the head of this school rightfully took Professor Lotman.Iremember how in the seventies, was present at one of Tartuseminars on secondary modeling systems (since thenwas perefraziruya semiotics). And I well remember one directthe feeling of the time: if Lotman scored at the moment myselfslaves, I would without hesitation joined them. That was ProfessorLotman in the perception of post-graduate student of the seventies. In the last book Lotman describes the culture as a wholemechanism. In its essence, he sees a dynamic element in two types -- the evolution ofand have a blast. Every new school, every new direction -- it's a blastbecause it was not predictable. Therefore, cultural phenomena are recognisedcopyright unlike the technical world, where, because of the evolutionary nature ofchanges to authorship is not so important. "The fact that creativity evenbad singer -- personal in nature, writes Lotman. --Even the creativity of a good engineer is as if dissolved in General, anonymousflow technology. If the bridge failed, the name of the engineer, perhapsremember, because it would be a remarkable event. A good bridgesoluble in the General flow of the prior art" (Lotman, Y. M. Culture andexplosion. P.32).
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