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the triumphal reign of the Soviet regime. The University of Tartu in those
years been an island of intellectual heretics throughout the former Soviet Union,
and the head of this school rightfully took Professor Lotman.I
remember how in the seventies, was present at one of Tartu
seminars on secondary modeling systems (since then
was perefraziruya semiotics). And I well remember one direct
the feeling of the time: if Lotman scored at the moment myself
slaves, I would without hesitation joined them. That was Professor
Lotman in the perception of post-graduate student of the seventies.
In the last book Lotman describes the culture as a whole
mechanism. In its essence, he sees a dynamic element in two types -- the evolution of
and have a blast. Every new school, every new direction -- it's a blast
because it was not predictable. Therefore, cultural phenomena are recognised
copyright unlike the technical world, where, because of the evolutionary nature of
changes to authorship is not so important. "The fact that creativity even
bad singer -- personal in nature, writes Lotman. --
Even the creativity of a good engineer is as if dissolved in General, anonymous
flow technology. If the bridge failed, the name of the engineer, perhaps
remember, because it would be a remarkable event. A good bridge
soluble in the General flow of the prior art" (Lotman, Y. M. Culture and
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