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This is the last work of Foucault,where the subject of consideration still stands "discourse", or "knowledge-discourse",or "said thing". In the next focus, Discipline and punish (Surveilleret punir, 1975), was an entirely different area of practice: forms of socialcontrol and the emergence of the prison system. S. 17* Foucault here refers, apparently, a group of writerspublished in the 60-ies of the magazine Tel Quel (which at one time he alsoprinted), and in particular by Roland Barthes. With him, Foucault had a close andlong-standing friendly relations and implicit, as is often the case in his lyrics ... controversy. The closest issue in this case could be the article Bart"Death of the author", published in 1968 in the journal Manteia, where the placethe figure of the Author Bart puts the figure Letters. He asks the question, whobelongs to a phrase of Balzac's story "Sarrazin" describes the castrato,disguised as a woman - the individual Balzac, the author Balzac, universalwisdom, psychology of romanticism? And says: "Never be possibleto know this for the simple reason that the letter is the destruction of allvoice, every origin. The letter is neutral, then mixed andevasive, where will our subject, it is colorless, where all is lostidentity" ("La morte de L auteur", in Roland Barthes, 1984, p. 61). page 18* the Criticism of the "historico-transcendental tradition" isthe leitmotif of what he writes and says Foucault in the second half of the sixtiesyears. , p 159).
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