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As in the sixteenth century, resemblance and sign of the inevitable appealto each other, but in a new way: similarity does not need moremind for the discovery of his secret; now it isan undifferentiated, moving and unstable basewhich knowledge can establish its relations, itsmeasurements and their identities. Hence, a double inversion:because the sign and with it all discursiveknowledge require, as its basis of similarity and becauseit is not o how to detect pre-knowledgethe contents, and o to provide such content, whichcould provide a place for the application of forms of knowledge. Ifin the sixteenth century, resemblance was fundamental relation of being toitself, a refraction of the world in the classical period itis the most simple form in which one can detect allsubject knowledge and which is most remote fromof knowledge itself. It is through chodta performancecan be known, that is, compared with the views thatcan be the like, can analizirovat in the elements(which are common to him with other views),be combined with those of them that may posea partial identity, and distributed ultimatelyordered table. The similitude in classical philosophy (thatthere is a philosophy of analysis) plays a role symmetrical to the onewhich will play a critical discernment in thought and inthe philosophies of judgement.
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