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Staying a short time on the explanation of the above categoriesdifficulty, we let now ask yourself the question, how canto explain the origin of musical ability. I don't suppose tooto spread about the ancestors of the great composers. I'm only asking whatshould be attributed to the superiority of the musical ability of Beethoven, Mozart,Weber and Rossini over the ability of their fathers? Whether to attribute it tothe inherited nature of daily exercises performed themparents, or transfer by succession of spontaneous changes inthe strong? Or how can we explain the musical talents of many individuals fromfamily Bach, which reached its highest expression in the talents of JohannSebastian? Can they be recognized as at least partly the result ofconstant exercise? But instead of these private matters, I would willinglyput a more generic question: how could developmusical ability, inherent in all modern Europeans, fromthe musical abilities of their remote ancestors? The monotonous singing of savages norin any case can not be considered inspired by the idea of the melody.You can't admit the obvious to any exceptional savage whohad a few big musical abilities compared withthe other, could be due to its ability to acquire such an advantage inthe struggle for existence, to ensure that the offspring are hisability. What should we say about the harmony?
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