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At the other end of the space of culture, althoughowing to its symmetrical position and very close,is the poet, who for known and reasonably foreseeable dailydifferences finds hidden forms of relationship of things, their blurrysimilarity. For conventional signs and in spite of them, hepicks up another, deeper, resembling those othe days when through a universal likeness of thingsshone the words: Sovereignty Identical, so difficultfor the expression, obscure in its language, the distinction of characters. Apparently, this is due to the close proximity of poetryand madness in Western culture of our time. Ho it's noto is the old Platonic idea of inspired nonsense. Ita sign of a new perception language and things. On the roadside thisknowledge that separates beings, signs and the like, madman,as if trying to limit his power, assumes the function ofhomoerotism; he gathers together all the characters and gives thema resemblance that never ceases to grow. The poet saysthe opposite function; it takes the allegorical role; looking atthe language of signs, on their clearly defined differences he hears"another language," deprived of words and intelligible speech, the language similarities. The poet brings the similarity close to expressing itsigns, madman all the signs gives the similarity which they, inthe end is obscured. Thus, both of them beingon the outer edge of our culture and yet close to itsthe main lines are in the "boundary" of the situation --the situation of the marginalized and deeply archaic shape, where -- their words continually gain its strange power andthe possibility of contestation. Between them opens the space of such knowledge, inwhich, due to a fundamental divide in the Westernthe world, the question will be already not the likes of o, and only oidentities and differences.
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