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So, a dual requirement: it is necessary tothe presented items were heard persistent whispers of similarity;it is necessary that the representation can always be a havenimagination. None of these requirements can not be separatedfrom another, which it complements and confronts him. Heretwo directions of analysis which have been preserved forthe whole classical era and continued their convergence,while in the second half of the eighteenth century expressed in the endcommon truth in Ideology. On the one hand, there isthe analysis takes into account the transformation of a series of shows inirrelevant, but simultaneous table of comparisons: the analysisimpressions, memories, imagination, memory, the wholeinvoluntary basis, which is like mechanicsimage in time. On the other hand, there is analysistaking into account the similarity of things -- the similarities to organize them,prior to their decomposition into identical and razlichayushchiesya elements torepeat the table of their disparate likes: however, whythings appear in their confusion, in mixtures, in weave, inwhich is their essential procedure distorted, but enoughsee even that would Shine through under the form of similarities,a vague similarity of cases, containing a hint to the vigilantmemory?
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