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the religious approach 219 realistic, but that being would not naturalistic, they arecharacters different sides of things, differentof mirovospriyatiya,different degrees of synthesis" (P. 239). The image only hints andindicates the original, and does not give a copy of it. Really naturalism in Generalimpossible, says Florensky. For this reason, it is in principlelays the process of creativity and creation, and perception. "Fromfact -- to the picture, in the sense of similarity, no bridge: herea gaping, skip over the first time -- the creative mind of the artist, and then --mind, starceski reproducing in a picture" (P. 252). The picture, ashe considers not doubling the effect, "it is necessary characterthe symbol".
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