Tuesday, November 19, 2019

Story image for vintage jewelry from HOLA! USA (press release)

Miley Cyrus is huge fan of this latest trend: high fashion logos

HOLA! USA (press release)-Aug. 27, 2019
She can don a red latex one-piece suit — like in her video Mother's Daughter — or an original vintage piece combo for a night out on the town. In any case, this ...
Story image for vintage jewelry from The Times

The best vintage-inspired chunky gold jewellery

The Times-Sep. 21, 2019
Go big and golden is our mantra when choosing jewellery for the new season. Chunky pieces were all over the catwalks at Bottega Veneta and Versace — a ...
Story image for vintage jewelry from Huntsville Item

Antique show returns for 16th year

Huntsville Item-Sep. 13, 2019
The 16th annual Huntsville Antique Show will open Saturday at the Walker County ... “Among the offerings are, collectibles, vintage jewelryestate jewelry, ...
Story image for vintage jewelry from Sioux City Journal

Sioux City artist finds the art repurposing items from past uses

Sioux City Journal-Oct. 3, 2019
If you are in the market for rustic jewelry made with repurposed items, look to this ... the repurposed thing with vintage jewelry, hardware, silverware and beads.


Pearl Necklace said...

divine souls are expressions of symmetry" - quoted it Sergey
Volkonsky (ibid.P.173).
Attention to rhythm was due in the beginning of the century with the works of Jacques
Dalcroze, about ideas which, however, A. Kugel comments like
about scholasticism. About facial expressions and gesture Dalcroze says that in some serious circles
these external funds are recognized theatrical and ugly. "Not to be
no doubt that if you'd ever burned suddenly all the theaters and all the plays --
the study of facial expressions and gestures immediately became a regular thing for all
public figures and no one would find this strange. (...) The Alliance between
gesture and word, between plastic and musical rhythm would in
its entirety," (J. Dalcroze, E. Rhythm. - M: b.g. P. 102; see also
J. Dalcroze The eurhythmics. -- London, 1912).
Sergei Volkonsky also introduces the axioms, which are then
be required, for example, to such areas as public relations,
which can also be defined as a field of applied semiotics. "Make
silent your body -- as much of an art as to force to say,
sometimes even more difficult. (...) The verbal language consists of alternating
words and silence. Language bodily -- from the mainstream
movement and posture. But we do not know how to own it
bodily language -- we don't even know how to read it. If you knew how to read and
to understand, we would not have been as supportive, undemanding
the audience what is happening on stage; if we understood the meaning
bodily language, we would suffer at the sight of bodily nonsense, we would
admired... (Volkonsky S. The man on stage. SPb., 1912.
P. 171). Semiotic awareness that language is not passed in real
possession and today, and only in the case of key questions such as
theater and political figures, it is given special attention.
A. Kugel in different dances sees the symbolism of sexuality different
types. "In tango (I mean graceful tango "salon" dance) sexy
there is only the dance content, and the forms it expressed the most
self-restrained manner. Kankan, e.g., believe and believed "obscene" dance.
(...) The manner Kankan offensive, but not sexual. When cancanada person
detects your "dessous", the bending and raising high the knee as if it were
saying, "look how funny it is".

Pearl Necklace said...

new state of mind, and, consequently, a new direction in
the fine arts" (ibid. P. 119). Interestingly, in every way
objecting to formal analysis as reducing the role of such factors
as an ideology, he at the same time can not deny its importance:
"we installed the unity of form and content (as a principle) in
art should constantly remind us all of the importance of the study
formal party works, in any case, without limiting our
a Marxist history of fine arts a social analysis of the plot or
even the contents" (ibid. P. 79). This is due to the fundamentally
the correct interpretation of it just communicative, semiotic fact
Starting from the "content", he argues as follows: "Desiring
to emphasize its importance, many artists do neglect the form. But
this case, it turns out that the work of art ceases to be
them, as it is a characteristic feature of the expression is pushed on the back here
plan. The art expresses the same ideas as other parts of the ideology
(literature, music, journalism, science, etc.), but differs from all of them
features of their transfer, and these features are different in painting
the sculpture and architecture" (Ibid. P. 73). In principle this problem
the untranslatability of the languages of art, later developed by Yuri
Taking the path of "a new society -- the new art -- the new theory", we
come to formal theory, which deserve a great love in the West
than in Russia itself.
These ideas grow, not only within science, but also themselves become
the method of this or that direction of art. We can demonstrate
this is the first novel of Ilya Ehrenburg (1891-1967)"Julio
Hornito", released in 1922, Several arguments attract our
attention, as if removing it from the realm of pure prose. Ilya Ehrenburg
writing a novel in the same 1921, when his book "And yet she
moves", which he calls "boisterous and naive, reminiscent of the Declaration
lipovtsev" (Ehrenburg People, years, life. FOTS. in 3 vols. -- vol. 1. --
M., 1990. P. 270). And Julio Hornito brings to the absurd Declaration of the
books. Ehrenburg he speaks of his book with the following words: "I love
"Hornito", because I wrote it by inner necessity: I'm still