Pearl jewelry for bridal and wedding tradition, bridal pearl necklace set for wedding ceremony, pearl jewelry for graduation and wedding celebration
close it music bad taste to specialists, but music for the heartthe masses of people. As possible topics he also makes a study oftransition household musical intonations in the material art of music. In General, we see that the formal method the musical materialconstantly loses its "formal protection", it absorbs phenomenathe music of everyday life, psychophysiology and under. Study as a purely "dead"design art body is not enough: "forclarify the logic of its design you have to "spice up" the design, i.e.inevitably to hold it through the prism of the human psyche -- in other caseseven through the double prism (music, theatre, plastic, i.e. all of the art,in need of interpretation) -- and in any case be based on datadirect perception; moreover, the formalist will not onlyto "revive" the object of observation, but try to understand -- if you wish to endto interpret this design -- in terms of its origin --individually creative, social, historical, word to attractall psihofiziologicheskie and social environment thatformalist deliberately left out of surveillance" (Gruber R.On"formal method," in musicology. P.45). And music with the peculiarities of their language as if he wins methodleast some of its features. On the other hand B. Asafievinthis plan makes in first place the creative process, leaving the form moresecondary position. "The study of the forms, as deposits, assome kristallizatsiya environment (and not in the anatomical directionanalysis), is a subsidiary discipline in relation to the studyin the process, the result of which they represent. But in this case we willto deal not only with naked charts and structural plans, and withthe structure of the sounding tissue, i.e. approximately with what can be calledmorphology of musical forms" (Glebov I. Theorythe musical-historical process as the basis of musical-historicalknowledge. P.74).
a formal method like "the second kind",where we are talking about learning the material base of music. Under him, he realizesmethods that are contiguous with the scientific method of cognition, where it isperhaps the use of mathematics.
His own value cannot be determined accurately anddefinitely, it is possible to convey metaphorically, poetically, sometimes the connectionlogically incompatible concepts, i.e., antinomies, contradictions, nonsense.Character can be understood as addressed to me indirect or reported speechimmaterial, i.e. spiritual or extrasensory, using materialor sensual" (op. CIT. according to Gerasimova, the decree. Op.P.54). That was done by the oberiuts, you can see the type of behavior which inhistorical perspective existed in Russia as foolishness. Ivanovthe following recounts "the life" fools: "They are the heroes of the day running around inrags or completely naked; begging and then distribute it; they are everywherechase, the boys throw stones at them; sometimes rich people care about thembut fools do not recognize satiety and grooming: they tear their cleanclothes, sit in the dirt, etc.; some "pohyby" never speak,other continuously repeat any one word or even sayingneumatico, which, of course, full of deep hidden meaning,drop-down only subsequently" (Ivanov S. A.Byzantinefoolishness. -- M., 1994. P. 144). The oberiuty, as fools, are in a completely different "grammarbehavior." The only question is, how to recognize its surrounding. In the casefoolish this question was resolved, they were even the one who had the rightto criticize the Church. You can see in this "carnivalesque" Mikhail Bakhtin,moreover, he was put in the novel of K. Vaginov"Goatthe song" the image of the philosopher. By the way, in their conversations, M. Bakhtinoftenmentions K. Vaginov. "One of the most interesting and outstandingrepresentatives of the Leningrad school of poets was Konstantin KonstantinovichOf lived. He was then very young, just graduated from the LeningradUniversity, was a philologist, a man very well read, passionatebibliophile. He had a very interesting library which he had collected, --main Italian poets of the XVII century" (Conversation with V. D. DuvakinM. M. Bakhtin. - M, 1996. P.188). He and the other approach leads us to a generalized third presentation- the oberiuts cast adopted a semiotic model of life and tryto build
Post a Comment