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"it was impossible to cover upeven the melodies." For lack of complex rhythm is achievedour equal bars and unequal notes, the only possible rhythmdepended on the number of syllables and, therefore, must have been relativelymonotonous. Further, it is possible to notice that tune that appeared thusbeing a sort of recitative, much less differentiated fromordinary speech than is our newest song. Despite this, thanksa greater number of notes used, variety of frets, random changes inthe rate-dependent changes in the amount of verse, and the multiplication of musicinstruments music has reached to the end of Greek civilization a significantheterogeneity, of course not compared to our music, but compared toprevious. Still, apart from ringtones did not exist nothing else:harmony was unknown Only when the Christian Church music has reachedsome development, there are discordant music that occurred through a veryinvisible differentiation. No matter how difficult to understand a priori howcould occur the transition from melody to harmony without the sudden jump, theat least there is no doubt that such was the case. The circumstance which prepared the way forthis consisted in the use of two choirs singing alternately the sameAria. Subsequently, there was a custom originally generated probablymistake - that second chorus began before the end of the first, formingthus the Fugue. In simple tunes, were then in use, nonothing incredible that this Fugue was partly harmonious; and it was enoughonly partially harmonious Fugue to satisfy listeners of that eraas we see it according to extant samples of contemporary music. Oncewas a new idea, writing arias, allowed tougaloo harmony, has becomenaturally increase, as to a certain extent it was increasedand another of choral singing.
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