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The Story Of Scheherazadeis desperate the wrong side of murder, is the effort of all those nights to hold deathoutside the circle of existence. This story's theme or message, generate, in orderto conjure death, our culture transformed: the letter is now linked tosacrifice, the sacrifice of life itself. Letter now - is a voluntaryerase that and should not be represented in books because ittakes place in the very existence of the writer. Creation, whose task wasto bring immortality now have the right to kill to be a murderer of hisauthor. Take Flaubert, Proust, Kafka. But there is another: this relationshipletters to death finds himself also in erasing the individualcharacteristics of the writing subject. All sorts of tricks that writingthe subject sets up between himself and what he writes, he confuses everyonethe tracks, all signs of his particular individuality; the token of the writer now isno more than the originality of his absence; he should fulfill the role of deadin the game of writing. All this is well known; and it has been a while since then, ascriticism and philosophy have witnessed the disappearance or the deathauthor. I am, however, not certain that this observation is strictly learnedall the necessary insights, nor the fact that precisely defined the scope of thisevents. More specifically, it seems to me that a number of of the conceptsdesigned today in order to replace privilegedthe position of the author, in fact blocks it and ignores the fact thatwould have to be released. I'll just take two of these conceptswhich are today, in my opinion, particularly important.
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