Berger president of Lippa's Estate and Fine Jewelry to retire ...
Vermont Biz-Nov. 1, 2019
Vermont Business Magazine Lippa's Estate and Fine Jewelry has announced that Jeffrey Berger, President and CEO will be retiring after 50 years, effective ...
The “Gem Supplier” Every Emerging Jewelry Designer Should ...
JCK-Jun. 24, 2019
It's exciting for any jewelry designer to see their pieces worn on the red carpet, ... in the engagement ring's star turn—the supplier of the vintage sapphire and ...
Local Jewelry Store Offers up Antique, Vintage Pieces
Volume One-Jul. 10, 2019
In the hunt for unique vintage and antique items, a jewelry store might not be someone's first instinct, but some jewelers bring on the used jewelry game. As part ...
Of decadent nature: How to collect vintage jewellery by Jean ...
The CEO Magazine (blog)-Apr. 15, 2019
If Mother Nature was on steroids, her children would look like Jean Schlumberger's jewellery. Bold, colourful and whimsical, his creations reveal a man who ...
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but the mood, the penetrating reality; something
exciting, intoxicating, seductive, tangy work of art and
enveloping the consciousness of the magical mist. The actor even more than others
the servants of art, it is the ability to infect, worry,
enchant. Between work poetry and the public actor is set,
a magician, as a magician, as a medium. It must first merge with a poetic
fiction, to to their experience, their excitement, their ecstasy to convince
the audience force her to accept the illusion and revel in it" (Kugel A. R.
Theatrical portraits. -- PG.-M., 1923. P. 25-26).
So we have a new semiotic hypothesis, leading to
the equivalence of the actor and channel of communication, where should the next
step semiotic nature of the actor. Semioticist lies in the fact
how does the actor. "Acting talent is not so much the gift
reincarnation, which is not always the case, as in the ability to give
artistic pattern. If you are familiar with the artists-illustrators, the
probably drew attention to the fact that an artist rises head and
the figures resemble one another, but by themselves wonderful, breathe art and
imbued with a unique sense of style" (Ibid.P. 129).
A. Kugel traces certain laws of symmetry in
communication, labeling them as the beat. "What is tact? It's instinctive --
a sense of balance. Tact does not mean that person is always helpful
soglashatel, etc. -- Tact is rudeness where rudeness is most appropriate;
tenderness when it's needed; posture, when it is needed. This -- acting in
higher, i.e. the everyday sense of the word" (A. R. Kugel Profiles theatre. --
M., 1929. P.174).
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