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This Chapter is the question of the responsibility of the artist is not in front of otherpeople but to myself. In other words, we have to understand the relationshipbetween art and moral life within the poet himself, or - internalthe connection between his efforts to the perfection of the work and his efforts, ifto assume that any, to the perfection of human life. What directly leads an art in itself, and thatmakes art what it is, - or, as the scholastics, formala piece of art - not a subject in itself the formal object of morality. Hereneed to add - on item, which I have already touched on, but I would likenow to Express more clearly that it is necessary to take into account not onlythe order of formal causality, or the perspective of the entity, taken by themselves,themselves, but the order of material causality or the perspective of a specificsubject, where coexist the essence of the different qualities. Ethical reality is considerably significant for the artist - in so farbecause he is a man; but in concrete life they are important not only to theas he is a man, but also in that although at this time this connection is soto speak, accidental, - it artist, or to the extent thatthe case concerns the realization of the potentialities of art. In other words, for thethe reason that art comes from human moral realityconcerning the artist, are moreover in contact with theas with the artist. In other words, morality deals with the potency of art inOK material, or cash (dispositive), causality.
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