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The signified can have several onecause; this is the case withthe signified in language and in psychoanalysis. The same can be said aboutthe mythical concept: it has an unlimited numbermeaning. You can pick up hundreds of Latin phrases that illustrateagreement of predicate with subject, you can find hundreds of images suitableto denote the concept "French Empire". This suggests that inQuantitatively, the concepts are much poorer than the signifier; often we havejust play one and the same concept nextmeaning. If you go from form to concept, the poverty and wealth would bein inverse proportion: the qualitative poverty of the form, carriers of the dilutedsense, corresponds to the richness of the concept, openness to the whole Story;quantitative abundance of the forms there corresponds a small number of concepts.Duplicate representation of the same concept through a series of formsis of great value to the mythologist, it allowsto make the transcript of the myth; after all the constancy of a certain type of behaviorgives an opportunity to reveal his intention. This allows us to assert thatthere is a regular correspondence between the volume of the signified and the amountmeaning; the language of this correspondence is proportional, it does not leavethe limits of words, or at least any specific one. On the contrary, inmyth concept may correspond to meaning having a very largelength; for example, a book may be the signifierone of the concept and, conversely, a very short form (a word orgesture - even involuntary, as long as it was perceived) might bemeaning of the concept, rich very rich history. This imbalancebetween the designating and the signified is not specific to language, but it is not andthe specific affiliation of the myth; for example, Freud failed actionrepresents a meaning, the insignificance of which absolutelydisproportionate to the true meaning of this action.
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