The green wedding guide
Financial Times-Jul. 11, 2019
In April, Amy Powney, creative director of Mother of Pearl produced her first ... The fashion search platform Lyst says there has been a 93 per cent spike in ... from a preternaturally photogenic Victorian railway arch in London's Shepherd's ...
Oscars 2019: The Best Jewellery
Vogue.co.uk-Feb. 25, 2019
As red carpet veteran Fred Leighton showed with Danai Gurira's Victorian headband and earrings, great jewellery design lives forever- just like great movie ...
The Men's Jewellery Trend We're Planning On Copying In 2020
British Vogue-Jan. 2, 2020
... scarves and ties with Victorian-style gold chains, inspired by Caravaggio's ... I'd happily wear Vogue fashion critic Anders Christian Madsen's pearl choker, ...
Lizzie Borden paper dolls depict a story through clothing
Fall River Herald News-May 24, 2019
Lizzie Borden paper dolls depict a story through clothing ... No hatchets or blood-stained dresses were allowed to spoil her lovely Victorian images. ... of cherries, a cameo that bore the likeness of a child's face, and the pearl buttons on one of ...
1 comment:
The structure of the text contains different objects that are closely related to each other. One of the objects is dominant. The solution of the problem depends on many factors, some of which can very severely limit its implementation. Rather, appear external objects that define the process of solving this problem, so to speak in the most General manner. Becomes dominant or can be different options, stages and forms of the solution. For example, if the point forms the context, it is relative to the context objects, appears dominant. If the context generates the meaning, it acts as a dominat in relation to the meaning.
It's very simple as the seven notes in the silence or as two dashes, long and short, which were formed from the interaction of a stone chisel on a stone: one shot short at the end of two consecutive blow - long cut. Variations of these ticks are then allowed to create letters, words and messages. Variations here are a few: long and short, horizontal and vertical bar. The ratio of these two degrees of freedom and has created an almost infinite variation of the shape of the letters.
The same is true in situations or act action: no matter whether it is conscious or in the form of physical expression. In turn, words have a limited number of letters, and proposals from a limited number of words. The text also relies on a limited number of constituent objects: challenge, meaning, dominant, concept or a fact and act of action. Now let's consider the objects of the text.
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