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However, this
ReplyDeletethe setting can be carried out only in mythical form
Genesis -- at the same time and the singular, and universal, in which
separate, empty, and abstract consciousness must, it was, starting with
the smallest representations, and gradually expand the broad picture
all that can ever be presented. In this sense
Ideology-this is the last classical philosophy, similar to
as "Juliette" - is the last classic story. In the scenes and
reasoning from de Sade to a new power desires to find its place in
deploy a perfectly transparent representations, up to
the most difficult. In contrast to the Ideology of Kant's critique
means, on the contrary, the threshold of the modern era, she asks
performance, it is not perpetual motion, which
building from the simplest elements of all the possible combinations, but
on the basis of its legal boundaries. Thus, she first
authorizes important event of the European culture of the late XVIII
century: the withdrawal of knowledge and thought outside the space of representation.
It is challenged in its very basis, in its first principle, in
its borders; unlimited field of view that
established classical thought and Ideology which sought step
by step to get around using the scientific discourse turned now
metaphysics-but such metaphysics, which would have never got
for their own frames, which would act as
inexperienced dogmatism, which never set right
the question of their rights. In this sense, the Criticism highlights
the metaphysical dimension, which is the philosophy of the eighteenth century
sought to end a simple analysis of the submission. At the same
time, however, it opens the possibility of another metaphysics, the purpose of
which -- questioning all that lies beyond all
submission is its source and origin; that is
it made possible the philosophy of Life, the Will, the Words
The nineteenth century unfolded, following in the footsteps of "Criticism".