Strictly secrets: We reveal the Suzanne Neville dress Tess will ...
Daily Mail-Dec. 16, 2011
Drawings have been revealed of the Suzanne Neville dress that Tess will wear to the Strictly final - and it looks a lot more like what the dancers would wear than ...
'RuPaul's Drag Race': The final three are revealed. Polls: Who ...
Entertainment Weekly-Apr. 11, 2011
Her crumpled-dollar look for the Evening Gown Eleganza was beautiful, too, but truly, not as beautiful as Raja's singular delight. And Alexis'? Hers was so ...
It were a hard life - but seemples: Pictures from the past... with ...
Daily Mail-Oct. 26, 2011
Peoples say life in the olden days was never easy. But these photographs from a new book show there were — as the meerkat ads would put it — plenty of ...
case is outside the language game, because power efficiency is completely determined by the risk of destruction of the partner, not the best, compared to a "reception". Whenever the performance, i.e. the desired effect is achieved by "Say or do, otherwise shut up forever", we are in a region of terror, where the social bond is destroyed.
ReplyDeleteIt is unknown where he came from. We can assume that wandering around
ReplyDeletea maze of corridors, he passed by the room where there are already
the known person and the artist works; it is possible that he also just
that was in the foreground of the scene, in the invisible part, which contemplate
all present in the picture. As the images in the depth of the mirrors, he
may be the messenger of this obvious and hidden space. And
there is one difference: he is here himself; he
originated from the outside, on the threshold of the depicted space; it is obvious-it's not
possible reflection and the intrusion of reality. The mirror, allowing
to see what is happening in front of the painting and even outside the workshop, causes
the harmonic movement between the outer and inner the connecting axis.
One foot on the step, the body completely in this profile -- inconceivable
the stranger froze in equilibrium, momentarily interrupting the movement
inward or outward. Staying in place, he repeats the real and dark
amounts of your body an instant move, crossing the room,
penetrating in the mirror, the reflected in and projected back in the form of
visible, a new, identical entity. Those pale, tiny silhouettes in
the mirror contrasted with the tall, strong figure of a man emerged in
the doorway.