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First of all, an artist in his most intimate
ReplyDeletethe creative sector is intellectualized feelings and receive
and their pleasure. It is through the feelings of peace pervades him; he is
sensitive to the world and all walks of beauty. As Leon said Blois,
"the overriding ability of the artist's Imagination, by its very nature
passionately anarchic" ****. And did the poet is both a madman
seized by an irrational impulse, and craftsman, in the most sophisticated manner
pranali your musical mind? But how then can you expect from
artist stable equilibrium and that constant attention to the rules
mind, which apparently needs a morally perfect life?
Secondly, since we are talking about writers, they need comprehension
the depths of evil as the depths of goodness in a human being, and there
abstract and theoretical ways of knowing, what are
the disposal of the authors of the treatises on moral theology, but there is only
the path of experience, and in particular the existence. Would they not be thereby
also have to be real writers - to take his assistant
the devil, at least part-time, and to pass, thus, experienced the science of evil
which is the prerogative of sin?
Thirdly, and here we come to the problem even more diabolical,
the novelist or the playwright knows his characters through the kind of knowledge
which is called knowledge of the tendency, or the affinity- with those
the passions, inclinations, or instincts which he shares with his
characters, even if he hates them that heartfelt hatred
thanks to which your enemy know yourself. In other words,
the characters of the novelist is this possible aspect of him, the deployment of its
their own capabilities, which is why he is able to anticipate the actions of their
heroes. Now, is there a way to join this knowledge -
especially engaging with them in such close contact, which is expected
creativity - without having to log in complicity and collusion with these
imaginary creatures, and without having to experience the echoes of their
vices and infernal?