Chanel's New York Flagship Reopens With Pearls on Steroids and ...
Hollywood Reporter-Nov. 20, 2018
... created more than 30 necklace-like sculptures for Chanel boutiques around ... meanwhile, serves as a backdrop of a ready-to-wear salon on the fourth floor.
Giambattista Valli Is H&M's New Designer Collaboration—And His ...
Vogue.com-May 23, 2019
... backdrop of the Hotel du Cap-Eden-Roc and the Mediterranean behind it. ... interpretation of the gobstopper-size natural pearl necklace Valli never takes off.
Bulgari in the Kremlin: Jewels in a Jewel Box
The Moscow Times-Dec. 11, 2018
There is also Elizabeth Taylor's famous Colombian emerald necklace and her sapphire sautoir (long ... Iliou chose an unexpected backdrop for the show. It is set ...
What to Wear: 10 June Looks for Every Budget
StyleBlueprint (blog)-May 30, 2019
Set against the beautiful backdrop of Hotel Indigo, Melissa Turner, owner of ... From FOX+CATVINTAGE: '80s brown and gold chunky beaded necklace, $48; ...
It is extremely difficult to overcome the myth from the inside, for the very desire to
ReplyDeleteto get rid of him immediately becomes in turn his victim; in
ultimately the myth always means, such as resistance, which
he is. The truth is, the best weapon against myth is perhaps
is mythologizing his sa mogo, the creation of an ARTIFICIAL MYTH, and this
a secondary legend will represent a very real mythology. If the myth
abducts your tongue, why not take a myth? It's enough to make it
the starting point for a third semiological system, to turn its value in
the first element of a secondary myth. Literature gives us some great
examples of such artificial mythologies. I will focus here on the novel by Flaubert
"Bouvard and Pecuchet". It can be called .experimental myth, the second myth
degree. Bouvard and Pecuchet each embody a certain type of bourgeoisie (which,
however, is in conflict with other sections of the bourgeoisie). Their
discourse ALREADY constitutes a mythical word; it is, of course, has its own
own meaning, but this meaning is not that other, as a hollow form for
the signified-the concept, in this case - a kind of technological
gluttony. The connection of meaning with the concept forms the value of this first
the mythological system, the rhetoric of Bouvard and Pecuchet. And then it interferes with
Flaubert (such dismemberment I do only for analysis): the first
mythological system, which is a second semiological system, he
imposes a third semiological chain, the first link of which is
the value that is the result element of the first myth. The rhetoric of Bouvard and
Pecuchet becomes the form of the new system; the concept in this system creates itself
Flaubert based on their relationship to the myth generated by Bouvard and Pecuchet; in
this concept includes their unremitting thirst for activity and febrile
rushing from a single activity to another, in short, that I have dared to call
(although see the storm clouds gathering over my annual)
Bouvard-especuladores. As for the result value, for us it
is the novel "Bouvard and Pecuchet". The second myth is that it
presents first as naivety, which is the object of contemplation. Flaubert
have undertaken a real archaeological restoration of a mythical words, and his
you can call violle-Le-Duke of bourgeois ideology, a certain type.