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Sunday, April 21, 2019

Story image for art deco pearl necklace from New York Post

Designer Alexis Bittar toasts 25 years of baubles

New York Post-Feb. 10, 2015
There, he'll debut his punk- and urban-themed fall collection (think Mohawk cameos and bondage details) and unveil the four original pieces of art he's ...

Heritage fine jewelry, signature timepieces up for grabs this year

Philippine Star-Feb. 19, 2015
An elegant Art Deco-style kunzite, diamond and onyx pendant suspended from an 18k white gold chain link necklace set with cultured pearls and diamonds ...
Story image for art deco pearl necklace from Internet Stones. COM Media

Highlights of Sotheby's New York Magnificent Jewels Sale, April 21 ...

Internet Stones. COM Media-Apr. 8, 2015
Lot 169 – Highly important platinum and diamond pendant necklace .... This rare and unique Art Deco necklace is also known as “The Baron de Rothschild ...

1 comment:

  1. in front of us more intense communication, as in the case of reading
    perhaps a constant distraction, but it removed even external stimuli
    (type of light). The intensity sharply increases the impact, just as
    V. M. Bekhterev wrote about the perception of the crowd: "in the limitation of arbitrary
    movements all the attention goes to the speaker's words, comes that terrible
    deathly silence, which frightens every observer, when a word
    sounds in the mouths of everyone from the crowd, producing a powerful effect on his mind."
    (Bekhterev V. M. Suggestion and its role in public life. SPb., 1903.
    P. 132);
    - the theater can be considered a reflection of a primitive stage
    communication, when each composite element has not lost its importance, he
    less "erased" as a result of use.
    1.7. The CREATIVE COMPONENT
    IN this section we would like to emphasize strong enough
    the trend of the early XX century, which we denote as metaiskusstvo.
    Here we will take active work on the creation of new languages in the field of music,
    painting, literature, theatre. Suddenly it became possible to exit the stage
    only new texts, but also with new languages (codes). If
    new text is based mainly on the new content, the new
    languages (codes) necessarily based on a new form. From a huge
    the Pantheon of names of the creators of the new languages we will focus only on one thing -
    Velimir Khlebnikov (1885-1922).

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