tag:blogger.com,1999:blog-6294744150606571617.post8282556495581972243..comments2024-01-16T07:07:11.166-08:00Comments on Bridal Pearl Necklace : Wedding Pearl Jewelry: Pearl Necklacehttp://www.blogger.com/profile/01857152720762307589noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6294744150606571617.post-71849539882736875642019-12-19T12:18:06.966-08:002019-12-19T12:18:06.966-08:00First of all, it is a big downside
paintings depic...First of all, it is a big downside<br />paintings depicted on the left, rather not negotiable and facial<br />side, as it shows in the FAS what is the position of this<br />canvas. Moreover, it is opposed to the window and highlights it. As<br />the window reflection is a common place for the picture, and for what<br />is outside of it. But the window function is a continuous light, reaching<br />right-to-left and connecting to the full attention of the characters to the artist , to<br />picture the sight that they behold. The mirror is in a strong,<br />instant and a sudden gust rushes outside of the picture in search of<br />the invisible subject of contemplation in order to make it visible on the verge<br />fictitious depth, visible, but immune to all the views. Power<br />the dotted line drawn between reflection and reflected, perpendicular to<br />pierces the side of the flowing stream of light. Finally -- and this is the third<br />function mirror -- it is near the door that<br />reveals, like him, in the back wall in the picture. The door also<br />cuts bright rectangle, dull light which does not penetrate into<br />room. It would just be a Golden plane, if not deepened<br />beyond this room with carved door, bending of the curtain and<br />several shaded steps. There is a corridor, but instead<br />to get lost in the darkness, he breaks into a yellow glow, where the light is not<br />penetrating the room, swirls and settles. On this light background<br />at the same time close and infinite, looms high silhouette<br />men. It is visible in profile; with one hand he holds a heavy<br />drapery; his feet placed on different steps; one of them is bent<br />in the knee. Maybe he'll enter the room, maybe only<br />will see to it that it is satisfied that it can quietly<br />something to peep. Like a mirror, he captures the back side<br />what is happening; he, like the mirror, not paying any attention.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-6294744150606571617.post-66414429435132040712019-12-15T01:20:06.256-08:002019-12-15T01:20:06.256-08:00The question is, what is the discourse of performa...The question is, what is the discourse of performance and whether it can establish legitimacy. At first glance it seems, that this prevents the traditional distinction between force and right, power and wisdom, i.e., between a strong, fair and correct. About this vzaimosochetaemost we said before, in terms of the theory of language games, distinguishing between the denotative game, where the relevance of belongs true/false; prescriptive game that comes from a fair/unfair; technical game where the criterion of effective/ineffective. "Force" only appears in the last, technical, game. We exclude cases when it is used for terror. Pearl Necklacehttps://www.blogger.com/profile/01857152720762307589noreply@blogger.com