tag:blogger.com,1999:blog-6294744150606571617.post4923847429998296183..comments2024-01-16T07:07:11.166-08:00Comments on Bridal Pearl Necklace : Wedding Pearl Jewelry: Pearl Necklacehttp://www.blogger.com/profile/01857152720762307589noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-6294744150606571617.post-50360257083297504792019-12-18T22:11:00.027-08:002019-12-18T22:11:00.027-08:00"Theatre-discerning person is not able to &qu..."Theatre-discerning person is not able to "visit" in our<br />time his nerves can not stand the nightmare of identity our home<br />"theatres for themselves." His desire for border on the dirty East, almost to<br />"the middle of nowhere", sometimes derived from a simple desire to see those around him<br />other clothing" (ibid. P. 105). Moreover, even the problem described<br />as a modern in the film "Irony of fate or With light steam!", it turns out<br />the semiotic problem of the early XX century: "the same (exactly the same)<br />the mistress of the house, with exactly the same manner, similarly dressed,<br />"Bonanno" and the same interested in, judging by her questions; such<br />the same nice guests his real friends, the same "circle" and restraint in<br />judgments about art, politics and other things, with the same bald head and same<br />the percentage of military among civilians... Yes, he was in someone's house (in the neighboring<br />house), the wrong floor, etc. But is it my fault that so shamelessly all like<br />in our Petrograd, beginning with houses, continuing device apartments to<br />mise en scen'AMI actors" (Ibid. P. 104-105). Similar he<br />describes the interior: "the arm-Chair right, chair, to the left,<br />in the middle of the couch, in front of him a table, on the table lamp... Mavericks!..<br />you are powerless even against a feisty template of your great-grandmothers!" (There<br />same.P.104).<br /> The society of the past had only semiotically much more clear secular<br />roles: "a Visit to the so-called "light" and cast there "Queen of the ball",<br />"Grand lion", "an important dignitary", "reckless personality",<br />"artistic nature", "charming cynic", "Childe-Harold",<br />"weirdo," "the misanthrope" and so forth" (Evreinov N. N. Theatre for himself. -- Part 3.<br />P.21).<br /> Thus revealing the universality of the concept of theatricality, and<br />N. Evreinov it was found also in the animal and vegetable world (See,<br />example: Evreinov N. N. Theatre in plants // the Apocrypha. -- b/g -- No<br />2), he formulates this notion in purely semiotic terms:<br /> "Theatrical illusions are necessary to the credibility and not "real",<br />we need a picture of the subject, not the object, you need the representation of actions, and<br />not the action itself"Pearl Necklacehttps://www.blogger.com/profile/01857152720762307589noreply@blogger.com