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The plant was dominant at the turn between movement and
ReplyDeleteimmobility, between the ability or inability to feel
whereas the existence of the animal rests on the edge between life
and death. Death precipitates the animal from the outside, she threatens him also
and from within, since it is only a living organism can die,
only life allows death to sneak up on the living. It is clear that
this is what determines that a dual significance that is earned
animals at the end of the eighteenth century: that the animal is a carrier
the death to which he is subordinate, it is life
permanently absorbs itself. Animal and at the same time
included in the nature of nature, and includes something
unnatural. Transferring its most secret essence of
plants in the animal life leaves the table space
order and returned to a wild state. Life is
deadly in the same motion, which condemns her to
death. It kills because it lives. Nature no longer
knows how to be kind. That life is inseparable from murder,
nature-from evil and desire-from the unnatural, the Marquis
de Sade have also spoken of the eighteenth century, who on this news was numb, and
the new age that wanted to condemn to silence the de
Garden. Forgive me the audacity (and for whom is it audacity?),
but the "120 days" was a marvelous, velvety underside "of Lectures on
comparative anatomy". In any case, in the calendar of our
archaeology de Sade and Cuvier -- contemporaries.
It is the position of the animal, granted in the human
imagination the disturbing and mysterious power, was deeply
related to the diverse functions of life in the thinking of the nineteenth century.
Here, apparently, for the first time in Western culture life
exempt from the General laws of being as it is revealed and
analyzed in the view. Life becomes a major force
which going beyond all actual and possible things
at the same time and helps them to identify and continually
destroys them by the violence of death, protivopolojnaia itself, being, as
movement -- immobility, time-space, a hidden desire
- obvious expression.