Pages

Tuesday, July 30, 2019

Story image for bridal jewelry from Upscale Living Magazine (blog)

Cortina, Italy: Fashion, Food and Fun in the Dolomites

Upscale Living Magazine (blog)-Sep. 22, 2018
Specialty boutiques like Regina by Angela Maffei, Le Noir, Franz Kraler and Brunello Cucinelli host the very best collections of unique furs, jewelry, handbags, ...
Story image for bridal jewelry from Upscale Living Magazine (blog)

Top 8 Villas To Call Home Over The Holidays

Upscale Living Magazine (blog)-Dec. 7, 2018
More than likely, there is one location (whether you are a warm weather or cold weather traveler) that you routinely have been calling home for the holidays.
Story image for bridal jewelry from Upscale Living Magazine (blog)

Green With Envy

Upscale Living Magazine (blog)-Sep. 23, 2018
Precious New Heights. As high jewelry met luxury fashion, what emerged was a foot fatale. Maison Bulgari and shoe couturier Manolo Blahnik recently dreamed ...
Story image for bridal jewelry from Upscale Living Magazine (blog)

Emmy Awards 2018

Upscale Living Magazine (blog)-Sep. 22, 2018
The 70th Emmy Awards took place in Los Angeles on Monday September 17, 2018. We highlight some of our favorite red-carpet and humorous moments.

2 comments:

  1. First of all, it should be noted that in the myth the first two elements absolutely
    obvious (in contrast to what occurs in other semiological
    systems, one is not "hiding" behind the other, both are given to us HERE IN THIS PLACE (a
    not that one is here and another in there somewhere). It is
    paradoxically, myth HIDES NOTHING; its function is to
    deformation, but not in concealment. The concept is not latent in relation to
    form; there is not the slightest need to resort to the subconscious to
    to give an interpretation of the myth. Obviously, we have here two different types
    manifestation: form given to us directly and, in addition, it has
    some extent. Again and again it must be emphasized that this is a fully
    due to the linguistic nature of the mythological meaning: since
    meaning already has a certain meaning, it can manifest
    only through some material medium (as in the language
    the signifier remains mental nature). If the myth of the acts interpretation
    form, meaning the length of the line (BECAUSE I am a LION); if
    a myth is a sight, his movement is multi-dimensional (in
    the center of the image, we see the African uniform of a soldier, above the blackness of his
    face, left hand raised in greeting, etc.). Thus, the elements
    forms occupy relative to one another to a certain place they are in
    with respect to adjacency; method demonstration form in this case
    spatial. On the contrary, the concept is given as a kind of integrity, he
    is something like a nebula, more or less vague
    clot views. Elements of the concept are linked by associative relations
    it is not based on the length and depth (although perhaps this metaphor
    too spatial); the method of demonstration mnemonic.

    ReplyDelete
  2. The relationship between concept and meaning in myth is essentially a relation
    DEFORMATION. Here we see a certain formal analogy with complex
    semiological system of a different kind, namely the system of psychoanalysis. Like
    how Freud the latent meaning of behavior deforms its overt meaning,
    and in myth the concept deforms the meaning. Of course, this deformation becomes
    possible only because the very form of the myth is constituted by linguistic meaning. In
    a simple system like the language, the signified nothing could deform them
    since arbitrary, hollow meaning does not render him any
    resistance. But in the myth the situation is different, it has a meaning as
    two sides: one is substantial - it is meaning (a story with a lion
    African soldier), the other side is devoid of content is a form
    (BECAUSE I AM CALLED LION; AFRICANIZED FRENCH
    ARMY-GIVE-HONOR-THE FRENCH FLAG). Appar, concept deforms
    the content side, it makes sense: Leo and African soldiers lose
    its history and turn into an empty figure. An example of the rule in Latin
    grammar distorts the act of naming the lion in all his specific
    randomness: also the concept of the "French Empire" makes disorder in the system
    primary language violates the narrative of facts, relating to the
    salute to Africans dressed in a soldier's uniform. N????? such
    deformation does not lead to complete disappearance of the sense; and the lion and African
    present in myth, because the concept needs them, they would cut
    half, taking memory, but not existence; they persist in their
    silence and at the same time talkative, their language is entirely received in
    the service concept, namely the concept deforms the meaning, but does not eliminate it
    this contradiction can be expressed as: concept alienates sense.

    ReplyDelete