Meriwether McGettigan's estate jewelry
San Francisco Chronicle-Jan. 6, 2013
But McGettigan, a certified gemologist and Art Deco expert, also savors sharing ... pearls," a superlative strand of multihued South Sea pearls that her husband, ...
Costume-Jewelry Collector Barbara Berger's Worldly Wisdom
Wall Street Journal-Jun. 21, 2013
It's glass, enamel, imitation pearls and plated metal—or rather, what designers have created with those ... About 450 items—including a Maison Gripoix necklacedripping with rhinestones and white feathers, ... Great finds—a lot of Art Deco.
Jewelry designer Craiger Drake shines in Rittenhouse
Philly.com (blog)-Aug. 15, 2013
Behind the doors of his spacious store in Rittenhouse, jewelry designer Craiger Drake houses his exclusive designs in a stylish, yet welcoming ambiance.
Tiffany & Co. Brings American Glamour of The Great Gatsby to ...
SENATUS-May 14, 2013
Named for New York's legendary Ziegfeld Theatre, a model of Art Deco ... the era's cool elegance with elongated strands of pearls, black onyx and sterling silver.
based on the description of the reception of the film in the memories of the Director,
ReplyDeletesee the Story of Bernard M. // egupets. Vol.2. Kiev, 1996). First,
edition of the "Contemporary" Shevchenko was held as a "little brother", and to equal
with Chernyshevsky and Dobrolyubov. The second in the statement of the diarist looks
in the following way: "the leader himself drew attention to the stage
check out the Royal family from the Winter Palace. It was a magnificent episode
which cost, according to M. Bernard, lot of money, because for the withdrawal of its
had to decorate almost the entire Nevsky. According to the Director,
the grandeur of departure symbolized the power of the autocracy and stressed
the courage of the poet to the challenge of this vsepoddaneyshiy force. Stalin nothing
talking about characters, although, obviously, it is a scene made exactly
the impression which was calculated by the Director. The leader only said that this
the episode should be removed and explained it with a truly Stalinist logic: "it's still Early
show our people such magnificence" (P. 201).
It's a case of rupture of empires, in the case of a continuing similarity, on the contrary,
emphasized. Today Vienna is allowed to hold in their texts such a sign
the past, as the Fiacre. A carriage pulled by a horse, quietly
fits into the modern world, because of its fundamental significance.
While in a raging stream of Kaerntner Strasse you can also invite
a music concert man-mark in the costume of the Imperial era.
Alfred Lorenzen writes about the era of the emergence of psychoanalysis.
"Vienna was at that time the capital of the crumbling, but hides this decay
Empire, seeking ways to confirm their status as a great power. With
their traditions, customs and values, so it's still not out
of the middle ages that the unequal marriage of the Archduke with the Countess called a series
scandals and even the public crisis that eventually led to
Sarajevo" (Lorenzen A. Archaeology of psychoanalysis. M., 1996. P. 246). As
see, and here we are talking about a specific multilingualism, but also about unresolved
the General Text.